Isnin, November 21, 2011

Museum of Islamic Art in Doha

It isn’t often that a building stuns – literally.  However, this is the case with the Museum of Islamic Art in Doha , the capital of Qatar .  Traditional Islamicarchitecture meets the twenty first century to spectacular effect.

Nothing is done by halves here.  Even the palm lines entrance
 (and entrancing is perhaps the right word) fills the visitor with expectation.  
 Sublimely designed by IM Pei, the museum opened its doors to the public 
less than two years ago.

The building is, as you might expect, heavily influenced by ancient
 Islamic architecture but its design is unique and there is simply no other 
building like it on earth.  Certainly as a museum of this kind it was the first 
in the Persian Gulf and its sheer size alone, over forty five thousand square 
meters, is a testament to the ambition of its designers.

The idea that contemporary Islamic culture is inward looking was contradicted 
from the word go by the invitation to IM Pei to be the chief architect of the project.
  The Chinese born American considered by many to be a master 
in his field was gently coaxed out of retirement to design the building.  
Most agree he has done a stupendous job. You may know him for, among 
many other projects, the glass pyramid outside the Louvre.

One of the first things that Pei did was to politely decline all of the proposed 
sites for the museum.  This building – if it was to stand – had to stand alone.  
Doha happens to have a corniche – a waterfront promenade which is paralleled 
by a road.  Perfect.  So it was that it was eventually built on a sixty
 acre island off the corniche.

But what lies within?  Surely something so spectacular on the outside 
must only be something of a disappointment on the inside.  chacun 
à son goût, of course, but this is not the case with this particular building – 
 whatever your own taste, disappointment is hardly the word.

The foyer itself is a grandiose mix of marble, steel and glass.  
As with the exterior the hard edges of modernism combine sublimely 
with the curves of traditional Islamic design.  Now, look up...

From one of the upper levels, the view down is just as staggering.  
Just as the architecture is both traditional and progressive, so are 
the ideas behind the museum.  Although built with the children of Qatar  
in mind primarily, the museum’s aim is to educate people about Islamic 
art and indeed the heritage of the Islamic world in general.  What is often 
a misunderstood culture and history can be seen here and the visitor is, 
by being enabled to study the past then in more of a position to 
understand the present. 

Even the cafe has its own unique appeal. Oh, yes.  There are the exhibits to...

Once you are done gasping at the architecture you may want to turn your attention to the exhibits.  Here, too, you will not be disappointed. The museum is host to a significant collection of art which go from around the year 600 BC to the nineteenth century.  There is something for every taste, from precious metals and stonework to glass and       textiles.
Times of both war and peace are represented here.  This hugely important museum is little known outside of the Islamic world.  Perhaps we should help spread the word?

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